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Peter Burke, B9-540 Folly Collage No.3, 2025 FOLLY COLLAGE N03.jpeg 40. x 23.cm

Peter Burke

B9-540 Folly Collage No.3, 2025
Collage
40. x 23 cm
15.8 x 9.0 in.
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B9-540 Folly Collage No.3 by Peter Burke is a reclaimed steel collage that continues the artist’s exploration of industrial residue as a material language for constructing architectural and psychological space. Within Burke’s wider practice, the series of “folly” works functions as a sustained enquiry into how discarded structural components can be reconfigured into forms that resist conventional notions of utility, coherence, and permanence. The work is composed of reclaimed steel elements drawn from fragmented industrial contexts, reassembled into a composition that foregrounds their material history. Rather than erasing traces of use, the collage preserves abrasion, corrosion, and irregularity, allowing the accumulated evidence of previous function to remain legible. This layered material presence introduces a temporal dimension to the work, where past and present coexist within a single, unstable structure. As with the preceding works in the series, Folly Collage No.3 rejects the idea of architecture as a resolved or functional system. Instead, it proposes an improvised and open-ended structure that hovers between construction and dissolution. The composition suggests a form that could be extended, dismantled, or reconfigured, reinforcing the sense of architectural instability and provisional order. The notion of the “folly” is central to the work’s conceptual framing. Historically associated with ornamental or non-functional architecture, the folly becomes here a means of exploring how industrial remnants can be reimagined as spaces of reflection rather than production. In Burke’s interpretation, this allows material drawn from systems of labour and function to be re-situated within a contemplative context. Within the broader trajectory of Burke’s practice, the use of reclaimed steel continues his engagement with the human condition within industrialised environments. The material retains its association with construction, labour, and infrastructure, yet is transformed into a poetic structure that resists fixed meaning. B9-540 Folly Collage No.3 ultimately reflects the artist’s sustained interest in fragmentation as a generative condition, where meaning emerges through reassembly, imbalance, and the negotiation of incomplete forms.

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