An early work that first appeared at Banksy’s seminal Banksy’s Turf War exhibition in Dalston, 2003 the Toxic Mary is one of the artist’s most outwardly religious pieces. Subsequently created as a limited-edition series of prints in the same year by Pictures on Walls, Toxic Mary was released as an edition of 150 signed prints, unsigned and 44 colour APs. Deeply powerful, the work places one of the most important symbols in orthodox iconography: the Virgin Mary and Child at the centre of the centre.
In Toxic Mary the relationship between the mother and child is explored and layered with that of religion, innocence, perversion and power. Religion, a subject that also features in Christ with Shopping Bags, can be seen as a great source of comfort to many and a guiding light for their morals and behaviours. However, Banksy expertly challenges this notion as the Madonna figure feeds the Infant Christ with a bottle that bears a skull and crossbones - the symbol of death and poison. It is no secret that many conflicts and wars have been fought in the name of religion across the ages and, even now, great misdeeds are enacted in the name of religion. Gone is the hope and piety of the Three-Handed Madonna and the suffering of which Christ went through is brought to the foreground. The subdued greys and thick blacks further illustrate a work with a seemingly menacing and sad tone.
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