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Exhibition: Who Needs Colour . . . : original paintings, drawings and prints by Picasso, Matisse, Chagall, Hockney, Riley, Haring, Hirst and Banksy for sale

Past exhibition
4 June - 5 July 2025
Damien Hirst, Victory Over Death, 2008 Damien Hirst, Victory Over Death, 2008. (unframed)
Damien Hirst, Victory Over Death, 2008 Damien Hirst, Victory Over Death, 2008. (framed)
Damien Hirst, Victory Over Death, 2008 Damien Hirst, Victory Over Death, 2008. (signature)
Damien Hirst
1965
Victory Over Death, 2008
Signed by the artist and numbered on the reverse
Framed
Excellent condition
Single photogravure etching with hand-colouring in gouache
119.5 x 108 cm.
Edition of 58
£26,000 GBP (+ vat for UK)
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
  • (View a larger image of thumbnail 2 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
  • (View a larger image of thumbnail 3 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
View on a Wall
Damien Hirst’s Victory Over Death (2008) is a compelling photogravure etching with hand-coloured details in gouache, reflecting his ongoing exploration of mortality and the human condition. This artwork serves as a print adaptation of his renowned 2007 sculpture For the Love of God, a platinum cast of an 18th-century human skull encrusted with 8,601 diamonds. In Victory Over Death, Hirst presents a diamond-encrusted skull set against a stark black background, creating a striking visual contrast. The skull appears to float, detached from any corporeal form, confronting viewers with a modern memento mori—a reminder of life's transience. By adorning the skull with diamonds, Hirst juxtaposes symbols of wealth and permanence against the inevitability of death, challenging traditional associations of skulls with decay. This piece is the only and largest etching of Hirst's iconic diamond skull, making it a unique entry in his body of work.
Read more

Provenance

Paragon Press
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