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Exhibition: Who Needs Colour . . . : original paintings, drawings and prints by Picasso, Matisse, Chagall, Hockney, Riley, Haring, Hirst and Banksy for sale

Current exhibition
4 June - 5 July 2025
Alberto Giacometti, Nu Debout II, 1963 Alberto Giacometti, 'Nu Debout II (s.9771), 1963' - unframed
Alberto Giacometti, Nu Debout II, 1963 Alberto Giacometti, 'Nu Debout II (s.9771), 1963' - framed
Alberto Giacometti, Nu Debout II, 1963 Alberto Giacometti, 'Nu Debout II (s.9771), 1963' - Signature
Alberto Giacometti, Nu Debout II, 1963 Alberto Giacometti, 'Nu Debout II (s.9771), 1963' - edition

Alberto Giacometti

Nu Debout II, 1963
Original lithograph on Rives paper.
Good condition but slightly weak signature.
75.9 x 55.9 cm.
29 x 22 in.

Framed:
90 x 71 cm.
35 3/8 x 28 in.
Edition 28 of 75
Signed by the artist in pencil.
£7,500 GBP
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
  • (View a larger image of thumbnail 2 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
  • (View a larger image of thumbnail 3 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
  • (View a larger image of thumbnail 4 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
View on a Wall
In Nu Debout II, Alberto Giacometti presents the human figure in its most essential and existential form. This lithograph - marked by the artist’s signature spidery line and restrained use of space - reflects Giacometti’s lifelong preoccupation with the fragility and resilience of human presence. The female nude stands alone at the centre of an expansive, nearly empty field of paper. Her form, though diminutive in relation to the page, commands a powerful psychological weight. Built from restless, searching lines, the figure seems to flicker and vibrate with life, as if emerging from or dissolving into the surrounding void. Giacometti’s touch is both precise and uncertain - each mark a meditation on how we see, know, and represent another human being. Unlike classical nudes that idealize or eroticize, Nu Debout II is a study in vulnerability and perseverance. The elongated limbs, narrow torso, and slightly bowed head evoke both dignity and isolation, mirroring the existential themes that defined post-war European art and philosophy. This work is not simply a figure drawing; it is an encounter - with presence, with absence, and with the human condition itself. In Nu Debout II, Giacometti distills the body to its core and, in doing so, reveals its profound emotional and metaphysical depth.
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