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Exhibition: Who Needs Colour . . . : original paintings, drawings and prints by Picasso, Matisse, Chagall, Hockney, Riley, Haring, Hirst and Banksy for sale

Past exhibition
4 June - 5 July 2025
Pablo Picasso, La Danse, 1905/1913 Pablo Picasso, 'La Danse', 1905 - unframed
Pablo Picasso, La Danse, 1905/1913
Pablo Picasso
1881
La Danse, 1905/1913
This series was not signed or numbered.
Good condition
Framed
Original drypoint etching on velin Van Gelder paper.
Image: 18.5 x 23.2 cm.
Sheet: 43.8 x 33 cm.
Edition of 250
£4,500 GBP
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
  • (View a larger image of thumbnail 2 ) Pablo Picasso, Autoportrait sous trois formes: Pientre Couronne, Sculpteur en buste et Minotaur amoureux Minotaure Caressant une Femme, 1933/1939
View on a Wall
Pablo Picasso’s La Danse (1905) is a whimsical and enigmatic etching that captures the artist’s early engagement with fantasy, performance, and the theatrical grotesque. Created during his transition from the melancholic Blue Period into the warmer tones and themes of his Rose Period, this work reflects Picasso’s growing fascination with the world of circus performers, masked figures, and surreal bodies in motion. Etched with a delicate yet confident hand, La Danse presents an eccentric troupe of figures mid-performance. Anthropomorphic creatures, corpulent bodies, and elegant nudes intermingle on a shallow stage-like space, suggesting both carnival spectacle and symbolic ritual. The line work is spare but evocative, conveying movement, emotion, and theatrical exaggeration with remarkable economy. At once playful and uncanny, the scene blurs the line between celebration and satire. The dancers - part human, part beast - may represent archetypes of folly, desire, or transformation. The reclining figures in the foreground, watching with dispassionate interest, deepen the sense of ambiguity, suggesting that we, too, are complicit in the spectacle. La Danse offers a window into Picasso’s early genius and his ability to mine humour, myth, and human absurdity with both detachment and empathy. It is a drawing that invites interpretation, rewards close looking, and remains as provocative today as it was in the early 20th century. Printed by Louis Fort, Paris, France Published by Ambroise Vollard, Paris, France, 1913
Read more

Publications

Bloch, Georges. 1968-1979. Pablo Picasso, catalogue de l'oeuvre grave et lithographie, 4 vol. Berne: Kornfeld and Klipstein. (Bloch 15).
Geiser, Bernhard and Brigitte Baer. 1986-1996. Picasso: Pientre-Graveur, Catalogue raisonne de l'oeuvre grave et des monotypes, 7 vols. Berne: Kornfeld. (18.B1)
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